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Doestoevsky's 'Notes From The Underground' / Individuality
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A 6 page paper analyzing the issue of universality versus conformity in Dostoevsky's famous novella. It also examines the author's reaction to the literary movements of rationalism and realism, and looks at some of Dostoevsky's most notable symbolism. Bibliography lists 5 sources.
Filename: Dostoev.doc

Doestoevsky's 'The Brothers Karamazov' / Individualization
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A 6 page paper which discusses the way the personalities of the three brothers in the novel form one complete functional personality. Each of them borrows traits from the others as the novel progresses, so that by the end, each brother is a more complete person than he was at the start. No additional sources cited.
Filename: Brothers.wps

Doestoevsky's 'The Possessed'
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A 6 page essay that studies the characterization of six characters in the novel in relationship to Dostoevsky's battle against socialism/atheism in Russia. One source cited.
Filename: Possess.wps

A Comparison / The Creature & The Underground Man
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A 6 page essay which compares the character of the Underground Man in Dostoyevsky's Notes from the Underground to the character of the creature in Mary Shelley's Frankenstein. The writer demonstrates that there are numerous similarities between the two characters, and that their differences make the creature the more sympathetic of the two. No additional sources cited.
Filename: Creatman.wps

Injury and Deformity in Darkness at Noon
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Several of Arthur Koestler’s characters in Darkness at Noon suffer from an injury or deformity. This paper will look at how the character was injured, and why Koestler chose this injury to define the character. Explored are the characters of Rubashov, Richard, No. 402, the officer, and Little Loewy. Bibliography lists 1 source. JVdrknoo.rtf
Filename: JVdrknoo.rtf

Character Sketches from Ibsen, Shakespeare, Hare, and Shepard
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This 6 page report discusses 'background' characters in 'A Doll's House' (Christina), 'Romeo and Juliet' (Mercutio and Tybalt), 'Skylight' (Edward), and 'True West' (Mom). No bibliography.
Filename: BWsketch.rtf

Desdemona in William Shakespeare's 'Othello' & Nora in Henrik Ibsen's 'A Doll's House' Compared & Contrasted
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A 5 page paper which compares and contrasts the female protagonists of Desdemona in William Shakespeare's tragic play, Othello with Nora in Henrik Ibsen's social commentary, A Doll's House. Bibliography lists 4 sources.
Filename: TGdesnor.rtf

Henrik Ibsen's 'Hedda Gabler' And 'Ghosts': Character Comparison
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5 pages in length. Henrik Ibsen's talent for delving deeply into social composition is characteristically synonymous with the level of cultural implication the author incorporates into his works. 'Hedda Gabler' and 'Ghosts' are but two selections of Ibsen's writing that represent how a patriarchal society helps to eat away at the female characters' very existence. Caught within the never-ending web of gender bias, both Hedda and Mrs. Alving are forced to proceed with their lives as though they were merely extensions of other's, uneasily precluded from advancing their own interests. Also intertwined within the frame work of 'Hedda Gabler' and 'Ghosts' stands the issues of self-worth and the deflated value that each woman places upon her own importance as a result of male dominance. The writer compares and contrasts the characters of Hedda and Mrs. Alving. Bibliography lists 4 sources.
Filename: TLCibsen.wps

How Henrik Ibsen's 'Ghosts' & Anton Chekhov's 'The Cherry Orchard' Demonstrate How Social Criticism is Shown Through Irony
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A 5 page paper which considers how social criticism is shown through irony by examining Henrik Ibsen's play, Ghosts (1881), and Anton Chekhov's play, The Cherry Orchard (1904). Bibliography lists 2 sources.
Filename: TGghoche.wps

Ibsen's Torvald Helmer from 'A Doll's House' (Victorian Period) and T. S. Eliot's J. Alfred Prufrock from 'The Love Song of J. Alfred Prufrock' (Modernist Period) / Masculinity
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In 5 pages, the author discusses masculinity in Henrik Ibsen's Torval Helmer from 'A Doll House' (Victorian Period), and T. S. Eliot's J. Alfred Prufrock from 'The Love Song of J. Alfred Prufrock' (Modernist Period). No sources cited.
Filename: PClit1.wps

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