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Papers On Music
Page 8 of 60
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Art & Music / Tonality
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A 5 page research paper on tonality in art and music expressed in terms of linearity, rationality and order from the single-point perspective. The writer defines each of these and reviews them in Miro, Tzaikovsky, Magritte, Chopin, Ensor and Debussy. Bibliography lists 8 sources.
Filename: Tonality.wps
Article Summary of Robert Walser’s ‘Out of Notes’
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In three pages this paper summarizes Robert Walser’s 1993 article which appeared in The Musical Quarterly entitled ‘Out of Notes: Signification, Interpretation, and the Problem of Miles Davis.’ There are no other sources cited in the bibliography.
Filename: TGmilesdav.rtf
Artistic Brothers: Delacroix and Chopin
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This 9 page paper discusses the
similarities and diffeences between the
"artistic brothers" Eugene Delacroiix
and Frederick Chopin. Delacroix labeled
Chopin, "a man of exquisite heart and..
mind" - quite a complement coming one
of the foremost French artists of the
nineteenth century. Bibliography lists
5 sources.
Filename: BBchopin.doc.
Artists: Truman Capote and Bob Marley
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This 4 page paper compares and contrasts Truman Capote and Bob Marley. Bibliography lists 4 sources.
Filename: HVCapMar.rtf
Australian Aboriginal Music
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A 10 page research paper that gives a comprehensive overview of aboriginal Australian music, which includes discussion of the purposes that music performs in native tribal life, the instruments used and the importance of song. Bibliography lists 8 sources.
Filename: khausmus.wps
Authenticity in the 1960s: Film and Music
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A 4 page paper which examines film and music from the 1960s discussing how it was used to present an image of authenticity. The paper primarily examines the film “Easy Rider” (1969) and the song “Blowin’ in the Wind” (1962) by Bob Dylan. Bibliography lists 2 sources.
Filename: RAeasy60.rtf
Avant-Garde Music of the 1920s vs. ‘The Old Guard’
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A 10 page paper which examines how the music of the European and American avant-garde illustrated the rebellions they and their supporters wished to stage against the ‘old guard.’ Bibliography lists 10 sources.
Filename: TGagmusic.rtf
Avison/Concerto Grosso No. 4 in A Minor
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A 3 page research paper that discusses a work by Charles Avison (1709-1770), English Baroque composer. The writer argues that this concerto grosso demonstrates the typical characteristics of Baroque music. Bibliography lists 4 sources.
Filename: khavison.rtf
Bach and Handel, Their Musical Languages
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A 6 page research paper that contrasts and compares these 2 great composers. It is interesting that George Fredric Handel and Johann Sebastian Bach were both born in the same year, 1685, but their musical languages are very different. As Joseph Machlis points out, "If Bach represents the subjective mysticism of the late Baroque, Handel incarnates its worldly pomp," which is a fact that is primarily due to the fact that Handel's "natural habitat was the opera house" (Machlis 303). The following examination of the music of Bach and Handel offers a general overview of each composers' musical language, putting their music within the context of their lifetime, while focusing on the contributions of each composer to the music of their era. Bibliography lists 4 sources.
Filename: khbaaha.rtf
Bach Cantata 140/Wachet Auf, ruf uns die Stimme
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A 7 page research paper that offers a detailed analysis of this cantata. This is one of Bach's best known and most beautiful cantatas. The writer, drawing on Machlis (1970), takes the cantata section by section, offering description and interpretation. Bibliography lists 5 sources.
Filename: khjsb140.rtf
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